Notice
"Lucky Guy" is a great example of how intricate and suttle Rundgren's Chords are structured and arranged, mainly for thick Vocal Harmonies. This is one of his few recordings with no Backing Vocals, and shows his level of very high Piano Skill at the time, which he really abandoned the Piano after recording "Hermit of Mink Hollow" Album.
It sounds as though there are three Lead Guitars during the Guitar Solo/Outro sections, but more likely it is only two guitars - one playing the "Melody" with a Harmonizer (Todd's newly discovered Guitar Toy at the time), and a second Guitar playing a natural third below that. The Harmonizer was preset at an Octave when the first models were released, either Octave Higher, or Octave Lower, this sounds like it has been set to Octave Lower.
The first great use that I can recall of the Harmonizer was on Rush song "Closer to the Heart" Guitar Solo, which I think came out shortly before this, and seemed kind of a gimmick (at the time), but is now a must with any Foot Pedal Console/Effects Rack.
There are three modes of thought behind this Tablature:
1) A Full Piano Score, Tabbed Note-for-Note from original Recording.
2) Consider this an arrangement for Two Guitars.
3) A "Classical" Guitar Score. Tune is Guitar Standard, as follows: (E, A, D, G, B, E), and use Gtr 1 as Melody (only remember that the 2 Low Strings are tuned to standard on Gtr 1), and use Gtr 2 as Bass Line.
"True Pitch" is the setting I used with Transcribing Tool, which simply means that the Recorded version of this song is (-0.35) - meaning a half-tone too high... So, to jam to the Rundgren Recording, tune Guitar (or other) UP slightly.